Arts on the Couch

…a collaboration between the Oregon Psychoanalytic Center (Outreach Committee) and the Artists Repertory Theater in Portland, Oregon. Our mission is to further the understanding of psychoanalytic ideas through the rich and evocative media of theater, music, dance, and the visual arts. Community collaborations provide a "place" for conversations about any and all facets of the human condition as expressed through the arts.

 

Artists Repertory Theater’s 2018-19 Season

1515 SW Morrison • (503) 241-1278 • www.artistsrep.org

  • OPC member facilitated post-play discussions, listed 2pm Sunday matinée.
  • Post-play discussions are free/open to the public. Can attend any performance.
  • Discount ticket packages available online or through box office: (503) 241-1278.
  • Please check artistsrep.org "Box Office" tab for tips on public transit and parking.
Downloadable Flyer
Homepage Hero 201819 Season

Skeleton Crew

by Dominique Morisseau
September 2 - September 30
Discussion after the matinee on September 30th with Don Rosen, MD

It's 2008, and one of the last auto plants in Detroit is dying on the vine. The factory workers that remain are living paycheck-to-paycheck but amidst the backbreaking work and brutally long shifts, they have somehow shaped themselves into a makeshift family. Faye, a factory lifer, is the glue that holds everything together. But with less than six months before she can retire with a full pension, Faye learns that management has a plan that could threaten her whole existence, leaving her torn between loyalty to her coworkers or her own survival. Heartbreakingly tense with moments of ethereal beauty, Skeleton Crew reveals the struggle to stay relevant in a society that constantly changes.

  • Awards for Dominique Morisseau: 2016 OBIE Award (for Skeleton Crew)
  • "A deeply moral and deeply American play, with a loving compassion for those trapped in a system that makes sins, spiritual or societal, and self-betrayal almost inevitable." -Ben Brantly, The New York Times
  • "A deep vulnerable blend of frustration, conversation, and denial." -Chris Jones, Chicago Tribune

 Small Mouth Sounds

by Bess Wohl
October 7 - November 4
Discussion after the matinee on November 4th with Zoe Crawford, LCSW & Susan Gendein-Marshall, PhD

Tired of not living their 'best life,' six broken individuals gather at a wellness center in the middle of the woods for a weeklong silent retreat to breathe and reset. As the voice from an omniscient guru drones on in broken self-help speech, the attendees struggle to find their inner calm while awkwardly combating their mental and physical desires. Over the course of five days, the group inexpertly attempts to navigate through hurt feelings, crippling faux pas, and exposed vulnerabilities to reach enlightenment. Absurdly funny and profoundly poignant, Small Mouth Sounds encourages us all to put down the phone and just be in the moment.

  • Awards for Bess Wohl: Drama Desk Award
  • "...exploits the subversive power of stillness in our age of manic multitasking." -Karen D'Souza, Mercury News
  • "...joyful and hilarious about the absolutely worst things we all face." -Jesse Green, Vulture

Everybody

by Branden Jacobs-Jenkins
November 25 - December 30
Discussion after the matinee on December 23rd with Ann Dart, LCSW

Death tells Everybody that their time is up. But Everybody doesn’t want to greet Death alone, so Everybody seeks the company of their friends Stuff, Kinship, Friendship, Cousinship, and Love to make the trip bearable. From the scintillating mind that brought you An OctoroonEverybody is an audacious riff on the 15th century morality play Everyman. Nine brave actors will play a multitude of roles with their characters chosen by lottery onstage every night — with a possible 120 combinations — as they fight to cheat Death.

  • 2018 Pulitzer Prize Finalist in Drama
  • Awards for Branden Jacobs-Jenkins: MacArthur "Genius" Grant, Pulitzer Prize finalist, PEN/Laura Pels International Foundation Theatre Award
  • "Let's start with a spoiler, the ultimate spoiler: Everybody dies." -Ben Brantley, The New York Times
  • "Everybody is 90 minutes of theatrical whimsy." -Robert Hofler, The Wrap

Teenage Dick

by Mike Lew
January 6 - February 3
Discussion after the matinee on February 3rd with Bob Dobres, LCSW

High school is hard enough, but when you have a power hungry 17-year-old threatening to overthrow anyone in his way to becoming junior class President, it can be downright murderous. Richard is the king of insults and after alienating the only friend he has, he relies on himself to snatch the crown while securing the heart of the ex-girlfriend of the popular high school quarterback. As Richard struggles to keep all of his plots from going awry, he gains an ally in the most unlikeliest of suspects. Touchingly hilarious, Teenage Dick is the modern comedic re-telling of Shakespeare’s Richard III, and ponders if it is better to be loved or feared.

  • Awards for Mike Lew: PEN/Laura Pels International Foundation Theatre Award

 A Doll's House, Part 2

by Lucas Hnath
January 27 - March 3
Discussion after the matinee on February 24th with Larisa Jeffreys PMHNP

15 years after Norwegian housewife Nora Helmer walked out on Ibsen’s Torvald, she walks back in the front door in the sequel to the 1879 social drama. In the ensuing years of her departure, Nora has become an incendiary writer — which isn’t a profession that married women could perform without permission. Since her husband didn't sign the divorce papers, Nora has returned to the house she desperately sought to vacate to gain her freedom. With a quick wit and razor-sharp tongue, A Doll’s House, Part 2 imagines the continuation of the house of Helmer as a deliciously gleeful trek through the complicated waters of relationships.

  • Awards for Lucas Hnath: 2016 Tony nominee for Best Play (for A Doll's House, Part 2), Steinberg Playwright Award, Windham-Campbell Literature Prize in Drama, Whiting Award
  • "...smart, funny and utterly engrossing new play." -Ben Brantley, The New York Times

Wolf Play

by Hansol Jung
March 10 - April 7
Discussion after the matinee on April 7th with Duane Dale, MD

In a world where people struggle to have children, one American couple decides to 'un-adopt' their young Korean son because they have a newborn at home. After an internet chat room search for the right family, the father 're-homes' the boy with a lesbian couple, where one half is desperate for a child and the other half is fighting for her career. As the boy — who thinks he’s a wolf, but is really a puppet – adjusts to his new life, he forms bonds with the unlikeliest of culprits while the rest of the adults squabble about what is ‘best for the child.' Wolf Play is a messy, funny, and moving theatrical experience that grapples with where family allegiance lies.

  • Awards for Hansol Jung: Whiting Award
  • World Premiere
  • A Table|Room|Stage Commission

The Revolutionists

by Lauren Gunderson
April 28 - May 26 (OPC Discussion May 26, 2019)
Discussion after the matinee on May 19th with Constance Jackson, MD

Who runs the world? GIRLS! In 1793, during France’s Reign of Terror — a playwright, an assassin, a former queen, and a Caribbean spy walk into a room and attempt to save the soul of France while avoiding the edge of the guillotine’s blade. Olympe De Gouges is desperate to pen the perfect piece of revolutionary art for her generation, while Charlotte Corday is determined to become an assassin. Prophetic Marie Antoinette is happy to reminisce about her time in the palace while Marianne Angelle gathers intelligence to send home to the Caribbean. In a blisteringly funny portrayal, The Revolutionists depicts four badass women who fight for the equality of all women and for the love of their country.

  • Awards for Lauren Gunderson: Steinberg Playwright Award, Susan Smith Blackburn Prize Finalist, most-produced American playwright of 2016
  • "...rapid-fire barbs and quick-witted retorts." -Patricia Mitchell, DC Metro Theater Arts
  • "The Revolutionists is as beautiful in its pleasures as it is tailor-made for this fraught moment in our own story." -Lisa Kennedy, The Know